In the moment

So next week is spring break. I'm getting ready to leave for LA on Saturday morning to delliver some prints for a show, but I still feel like there is so much to be done here at home. It just recently dawned on me that my situation has dramatically changed from life in Los Angeles. While there, my plans always revolved around printing schedules. I was rarely able to afford travel and couldn't plan too far in advance based on project schedules. However, within the past 8 months (since I have moved) I have been to New York, New Mexico, Arkansas, Texas, and now back to California. Assuming all goes well, I will be in Mexico for 5 weeks this summer. I hope this comes through since the trip to Mongolia, which I was approved for, was cancelled due to lack of enrollment. In any case, I know that this summer will be a great time to photograph and print with no one in the art building (currently scheduled to be demolished and rebuilt).

Beyond the stories of travels, I have had a few very productive critiques in the past few weeks. First, I met with performance and installation artist Tania Bruguera. She had a lot of interesting feedback. She pointed out the strength of a number of images and the challenges in viewing the massive wall of images I had construced (primarily due to lack of space). Next, I have been meeting with or scheduling critiques with many of the CU faculty. As we become more familiar with artistic and personal communication styles the conversations become more interesting. Finally, I met yesterday with Josiah McElheney and had a very inspiring meeting. So far, he has been the most analytical and direct critique I have had. He challenged me on my main body of work. He appropriately pointed out how I was stradeling a line between two differing philosophies and should be more commanding of one or the other. I was appreciative of his directness and agreed with his assessment. In addition, he suprised me by being attracted to two other bodies of work I was not considering. He was strongly attracted to two images I which had only been sculptural sketches to explore my fascination with absurdity. He felt they were very successful and best illustrated the concepts I was exploring. Also, he was drawn to the series from the museum. He felt that a merging of the two may be an ideal to explore. What I found most interesting about this is that I agreed with virtually everything he said. Later I realized his ability to listen and analyze was equally inspiring among every other member of the class. Once I return from LA, I have quite a number of photographic ideas to explore.

Now the challenge is to feel rested after having vacation time. Somehow I'm not convinced that will happen. Either way, at least I will be able to connect with my friends on the West Coast.